By Kaleigh Rusgrove, PRC Intern
Paolo Ventura, “Behind the Walls 2,” photograph; Courtesy of the Barbara Krakow Gallery, Boston
(Work from Ventura’s series Behind the Walls was recently featured at the Barbara Krakow Gallery in Boston (September 10 – October 9, 2014). Behind the Walls is also the subject and title of a book published by Aperture. Ventura is currently showing his series The Infinite City at Atlas Gallery in London.)
Viewing Paolo Ventura’s first Boston show, Behind the Walls, is much like getting lost in a great story. It is easy to find yourself standing in front of the prints and imaging that the wall may open up and you might join Ventura in this mystifying created world. Standing in the small side room of the Barbara Krakow gallery, I found myself enthralled by these images of a place that seemed familiar and unknown all at once. Ventura’s work is inspiring on many levels, not only because of his gift as a visual narrator but also because of his incredible attention to detail. In Behind the Walls, Ventura has truly mastered his craft in creating miniatures and false realities.
Italian native Paolo Ventura began his career in the 1990’s after studying at the Accademia di Belle Arti di Brera in Milan. Ventura worked in Italy as a fashion photographer for many years before deciding to move to New York City. It was there that Ventura began making miniatures, staging dolls inside of them, and photographing the created sets. In his first series (War Souvenir, Winter Stories, The Automaton), Ventura worked primarily with dolls as subjects. Now skilled in his practice, Ventura has entered into his own world and is the main character in his newest story, Behind the Walls.
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