Posts Tagged “Mike Murowchick”

When I was younger I frequently found myself peering down the unlit staircase that led to the basement in my childhood home. My dad had set up his own darkroom down there, and the smell of chemicals emerging from the depths of this off-limits world always caught my attention. In the following years my dad sold or gave away most of his darkroom equipment, unfortunately, and it wasn’t until my junior year of college that my interest in photography was born.

What sparked this sudden interest, well, I still can’t say for sure. I grew up playing sports but have always had an artistic side; maybe photography was just the means by which my creative self could be revealed. I graduated from Boston University in 2012 with a double major in Environmental Policy and Economics, but since I took my first picture three years ago, photography has grown on me every single day. As I try to figure out what I want to do with my post-grad life over the next few months, I at least know that I want photography to be a part of it. This summer at the PRC I am greatly looking forward to learning more about the photography industry and get a better understanding about how things work behind the scenes.

While I enjoy shooting in digital format – and in the past few months, film as well – one of the ongoing bodies of work for which I have an affinity is more of an alternative process. I had an old Canon Rebel converted to cut visible light and capture only infrared (IR) light. I am captivated by how immensely different landscapes become in the absence of visible light. Almost all vegetation reflects IR, so during sunny days plant life is rendered a soft, dreamy white. Additionally, similar surfaces typically reflect IR light equally, causing normal variations in color to appear almost uniform.

My interest in infrared photography is just as much physiological as it is aesthetic. Despite the natural wonders that the human brain in capable of, it is only trained to be able to see things a certain way. Light enters through our eyes upside-down and a series of impulses from the brain flips the image and defines color and shape, creating what we know as “sight.” While we are not technically capable of seeing infrared light, I feel like photographing in IR gives a new meaning to the term “vision.” It allows us to see the unseen and unlock a hidden dimension that we previously perceived to be pure imagination. For me, infrared photography represents a fresh way of looking at the world, and it is something that I am continually looking to explore further.

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By Mike Murowchick, PRC Workshop Assistant

When first I signed up for Lisa Kessler’s “Vision & Voice” Master Class at the Photographic Resource Center in February and agreed to serve as the Workshop Assistant, I had a feeling it would mark a significant stop on my journey as a young photographer. I had never taken a critique-based photo class before, and I was thrilled to have the chance to learn from Lisa and begin to find my “voice.” Three short months later, I can say with certainty that this class has exceeded all of my expectations and has been the most meaningful experience I have had as a photographer.

Classmates view and discuss the work of David Mattox during the final project presentations. Photo by Lisa Kessler.


The workshop was comprised of ten students, each coming from various photography backgrounds. Some of us had been shooting for decades, while others, including myself, had only been shooting for a few years. Despite this, each of us brought a unique perspective to the class, and we were all able to rely on each other week-in and week-out for invaluable advice on how to improve our work. The class ran from 6-9 pm, but every week we all felt like we could have stayed at the PRC all night burning the midnight oil while looking at each other’s work!

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